With the release of this record, the band went to England to support the Damned with a possible opening tour with the Clash being talked about too. In November of 1979 a new EP called "Night Of The Living Dead" came out as a three song seven inch with the b-side being "Where Eagles Dare" and "Rat Fink". It was their own niche, one that would last, one that would always separate the Misfits from all others. Some said "monster rock", "horror rock", and others even said "death rock". Everyone looks better in black clothes! They were turning into what we used to call a "ghoul rock" band. Jerry's eye makeup, Glenn's bone shirt and glooves, and of course the black clothes. The trade mark "devilock" hair style was becoming more prominent. All that horror business was starting to branch out. This EP was powerful, raw, and obnoxious.Ī different look was going on with the ever-evolving sound. Besides the title track there was "Teenage From Mars" and "Children In Heat". "Horror Business" was another seven inch with three new songs recorded live in the studio and pressed on yellow vinyl. This would continue throughout the band's career. If you filled it out and sent it in they would send you whatever they had (buttons, stickers, or photos) for free.
When you bought a Misfits record back then, you would find an application for the "Fiend Club". This would be the image that would forever be linked to the band and would grace the cover of this new EP, "Horror Business". Another addition, although not to the actual line-up itself, a logo appeared, the Crimson Ghost was adopted as the symbol of the band in the Spring of that year on the poster for the band's show at Max's Kansas City.
In the summer of 1979 a new EP was coming out and there had been some major changes: enter Bobby Steele on guitar and Joey Image on drums.
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Why let some big record company tell you how to look, how to sound, or what to do for that matter? They would make it happen on their own terms, all the way down to cutting and gluing the seven inch sleeves together themselves. Everyone in Lodi had heard of the Misfits (if they cared to listen) and how they wrote their own songs, put out their own records and booked their own gigs. These four songs came from a larger session, that was to be their first album, Static Age.Īt this time it was fairly common to see Jerry (now calling himself Jerry Only) around town with his electric blue hair and leather jacket that proudly proclaimed "The Misfits" on the back. Not tame by any means, and not meant to be either. The "Bullet" sheet showed former-president Kennedy's head on a blood splattered background with a bullet hole in it. It was a style the band would proudly perfect, and one that stayed with them throughout all of their recordings. "We are 138" was filled with the straight down-strumming guitar technique that was very reminiscent of the Ramones. "Hollywood Babylon" had a rich vocal track and a very catchy melody. "Attitude" was a poppy little tune with colorful usage of many four lettered words. It was originally pressed on black vinyl with a fold out sleeve and a lyric sheet for the title track. The four song seven inch reflected a more aggressive and angry style.
The next release was the notorious "Bullet" EP, on their Plan 9 label. In 1978, the "punk rock" influence reared its ugly head with the addition of Frank LiCata (a.k.a Franche Coma) on guitar and Jim Catania (a.k.a. Instead, Glenn played the electric piano through a fuzz box. It was the more agressive track but there was no noisy guitar. Side B had the original recording of "She", and was about Patty Hearst. With the release of this record only the interesting lyrical content and strong vocals hinted at the style that wold emerge with the passage of time and the band's subsequent releases. Side A was called "Cough/Cool" and it had a jazzy sort of feeling to it. Their first release on their own label, Blank Records, didn't reflect the characteristic anger and rebellion of most "punk" records, but instead a more brooding and romantic side lingering beneath. The founding members were: Glenn Danzig on vocals and electric piano, Jerry Caiafa on bass, and Manny on drums.
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Formed in 1977 toward the end of the "punk" era, they took the band name from Marilyn Monroe's last film and in fact, thanked the cast of the movie on the back of their first record. The Misfits were a "punk rock" band from Lodi, New Jersey. The Misfits - (Absolutely sick) Discography
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